\nOpen on Google Map <\/i><\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n
Art Prichal
\nmay 12<\/span>
\n16:00 – 18:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nMapping and Live AV with VJ Eletroiman (Telenoika)<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has dedicated the past eight years to video mapping techniques. He will reveal some of his secrets during the lecture.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\u0420\u0456\u043a\u0430\u0440\u0434\u043e](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/02\/001-KyivLights-Jury-RicardoCancado-260x260_new-150x150.jpg\" "\\"\u0420\u0456\u043a\u0430\u0440\u0434\u043e")
Ricardo Can\u00e7ado, aka VJ Eletroiman, is a director of the Festival Visual Brasil. He is the winner of many VJ contests and often participates in audiovisual festivals across the world including Czech Republic, Spain, Italy, France, Hungary, Switzerland and Brazil.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nAnalogue VJing. History of Ukrainian light and music theaters in 1960-1980s<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]The lecture is devoted to a media archeological phenomenon – those Ukrainian theaters that combined music, light, and color. They existed in Kyiv, Odessa, Kharkov, Poltava, Uzhgorod during the second half of the 20th century. Inspired by the early 20th century experiments of Scriabin and \u010ciurlionis, artists, engineers, and composers created complex dynamic light performances and engineered solutions for control boards and projectors which generated a visual image that moved in concert with the play\u2019s music.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\u042f\u043d\u0456\u043d\u0430](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/02\/004-KyivLights-Jury-YaninaPrudenko-260x260-150x150.jpg\")
Yanina Prudenko is a Ph.D., Associate professor at Department of Cultural Studies, National Pedagogical Dragomanov University. Yanina is a correspondent at KORYDOR magazine specializing on the modern art. She is also a curator at the Open Archive of the Ukrainian Media Art and the New Art School specializing in the media art education in Ukraine. Jury member at the Kyiv Lights Festival.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\"](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/04\/www.kyivlights.com-LAUA-266x266px_white-150x150.jpg\")
Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n12:00 – 14:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Creator’s idea will change every space”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At his lecture Michiyuki is going to tell about his favourite Japanese media artists, presents some new names and to discover some specific features of Video Mapping in Japan. You will also learn about Projection Mapping Associations in Japan which he heads and see some of Michiyuki’s art works.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\u041c\u0456\u0447\u0456\u044e\u043a\u0456](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/02\/003-KyivLights-Jury-MichiyukiIshita-260x260-150x150.jpg\")
Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"Blck](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/05\/KyivLights-Partners-BlackBox-Logo-150x150.png\")
Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"Craig](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/04\/010-KyivLights-Walsh-260x260-150x150.jpg\")
Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\u0404\u0432\u0433\u0435\u043d\u0456\u044f](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/04\/008-KyivLights-Molyar-260x260-150x150.jpg\")
Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\"](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/02\/002-KyivLights-Jury-NicolaPavone-260x260-150x150.jpg\")
Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]![\"\u0413\u043b\u0456\u0431](\"https:\/\/www.kyivlights.com\/wp-content\/uploads\/2017\/04\/009-KyivLights-Ushakov-260x260-150x150.jpg\")
Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Ricardo Can\u00e7ado, aka VJ Eletroiman, is a director of the Festival Visual Brasil. He is the winner of many VJ contests and often participates in audiovisual festivals across the world including Czech Republic, Spain, Italy, France, Hungary, Switzerland and Brazil.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nAnalogue VJing. History of Ukrainian light and music theaters in 1960-1980s<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]The lecture is devoted to a media archeological phenomenon – those Ukrainian theaters that combined music, light, and color. They existed in Kyiv, Odessa, Kharkov, Poltava, Uzhgorod during the second half of the 20th century. Inspired by the early 20th century experiments of Scriabin and \u010ciurlionis, artists, engineers, and composers created complex dynamic light performances and engineered solutions for control boards and projectors which generated a visual image that moved in concert with the play\u2019s music.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Yanina Prudenko is a Ph.D., Associate professor at Department of Cultural Studies, National Pedagogical Dragomanov University. Yanina is a correspondent at KORYDOR magazine specializing on the modern art. She is also a curator at the Open Archive of the Ukrainian Media Art and the New Art School specializing in the media art education in Ukraine. Jury member at the Kyiv Lights Festival.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n12:00 – 14:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Creator’s idea will change every space”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At his lecture Michiyuki is going to tell about his favourite Japanese media artists, presents some new names and to discover some specific features of Video Mapping in Japan. You will also learn about Projection Mapping Associations in Japan which he heads and see some of Michiyuki’s art works.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Yanina Prudenko is a Ph.D., Associate professor at Department of Cultural Studies, National Pedagogical Dragomanov University. Yanina is a correspondent at KORYDOR magazine specializing on the modern art. She is also a curator at the Open Archive of the Ukrainian Media Art and the New Art School specializing in the media art education in Ukraine. Jury member at the Kyiv Lights Festival.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n12:00 – 14:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Creator’s idea will change every space”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At his lecture Michiyuki is going to tell about his favourite Japanese media artists, presents some new names and to discover some specific features of Video Mapping in Japan. You will also learn about Projection Mapping Associations in Japan which he heads and see some of Michiyuki’s art works.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]
Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 12<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n12:00 – 14:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Creator’s idea will change every space”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At his lecture Michiyuki is going to tell about his favourite Japanese media artists, presents some new names and to discover some specific features of Video Mapping in Japan. You will also learn about Projection Mapping Associations in Japan which he heads and see some of Michiyuki’s art works.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
Lecture program at the festival of light in Kiev in 2017 - Kyiv Lights Festival<\/title>\n<meta name=\"description\" content=\"Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. 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Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n12:00 – 14:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Creator’s idea will change every space”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At his lecture Michiyuki is going to tell about his favourite Japanese media artists, presents some new names and to discover some specific features of Video Mapping in Japan. You will also learn about Projection Mapping Associations in Japan which he heads and see some of Michiyuki’s art works.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Michiyuki Ishita is an artist, creative director, space designer, video creator, event planner and producer. He chairs Projection Mapping Association of Japan\/PMAJ. He is an organizer of One minute Projection Mapping Competition. That\u2019s an international video mapping contest held in Japan since 2012.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nOut of the box<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box works in the field of art & technology. Their work as artists and technologists spans from creating individual installation to preparing performances, large-scale and often as a response to place & space, to light & architecture, code & motion. The lecture is going to be about a selection of BLCK BOX\u2019s projects. Media artists from BLCK BOX will talk about their work on selected installations and design for different shows, concerts, and parties.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
Lecture program at the festival of light in Kiev in 2017 - Kyiv Lights Festival<\/title>\n<meta name=\"description\" content=\"Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. 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Blck Box is a Kyiv Studio that specializes in new media. It works with VJing, video and sound art, design and development of interactive technologies, and software installations. The studio also serves as a center that brings together artists in the field of digital art.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nBeyond Buildings<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Introducing Australian artist Craig Walsh\u2019s selection of site-responsive artworks,whose work spans 20 years of practice. Craig will discuss a selection of concept-driven projection works that occupied unconventional sites and came as a result of specific community collaborations.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Craig Walsh, the fabulous Australian media artist known worldwide for his magnificent water surface and tree projections, is showing his artwork for the first time in Ukraine.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n18:00 – 20:00<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCity for art or art for the city<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]What is public art? Varieties of public art (Official and illegal, temporary and permanent, Interventions, objects, events) Instrumentation of public art – from protest to advertising. Public voids and the importance of balancing out the saturation of public space. The commemoration and transformation of memorial tradition in Ukraine.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Zhenya Molyar – an art critic and researcher of Ukrainian Soviet monumental art and contemporary art in public space. Participant in the artistic initiative DE NE DE.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music
\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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\nA scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]
Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 13<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Exile”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]”Exile” project is a unique phenomenon for the modern Ukrainian art that combines the digital and analogue technologies \u2013 computer music and continual light, controlled by an artist in a live artistic performance.
\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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\nMusic by Oleksiy Podat.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]
Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-gradient-2″ animate=”yes” custom_height=”150″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n14:00 – 15:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nGenerative videomapping<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]At this lecture, you will get a general explanation of how to generate and use improvised content for stage design and architectural spaces. Together with our jury member, Nicola Pavone, you will observe diverse techniques for the production and use of site-specific footage, in order to create a video installation (VVVV and Resolume will be used). This workshop is intended for anyone who has a minimal understanding of Graphic design and software (es. Photoshop). Each participant should bring their own notebook computer.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
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Nicola Pavone, aka Vj Luper, is a video artist, programmer and interactive media designer based in Prague. Nicola is a curator of the OFF section of SIGNAL Lights Festival in Prague and one of the organizers of BYOB Prague.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n16:00 – 17:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nCybernetism: a dynamic combination of virtual and real environments<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Since ancient times, architecture has been earthen, wooden, and stone. The 20th century made architecture light and transparent, with metallic luster and glass reflection. New architecture is virtual, dynamic, equipped with media tools, and even interactive. At the lecture, we will consider cyber stylistics, media facades, architectural capabilities of the virtual environment, and other futuristic manifestations of this trend.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
Lecture program at the festival of light in Kiev in 2017 - Kyiv Lights Festival<\/title>\n<meta name=\"description\" content=\"Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. 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Gleb Ushakov holds an academic degree in architecture, specializing in theory of architecture. Associate professor at Kyiv National University of Construction and Architecture. Architect and designer, free artist.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n21:00 – 21:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Isle of the Dead”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Isle of the Dead by Sergei Rachmaninoff, Op. 29[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
Lecture program at the festival of light in Kiev in 2017 - Kyiv Lights Festival<\/title>\n<meta name=\"description\" content=\"Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. 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Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\nArt Prichal
\nmay 14<\/span>
\n22:00 – 22:30<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]\n“Prometheus: The Poem of Fire”<\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Lightpainting Scene to symphonic music A scene to symphonic poem Prometheus: The Poem of Fire by Alexander Scriabin, Op. 60[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n
Lecture program at the festival of light in Kiev in 2017 - Kyiv Lights Festival<\/title>\n<meta name=\"description\" content=\"Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. 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Founded in 1960, the Kharkov Theater of Lighting continues developing techniques of analogue VJing. At the same time the theater continues sticking to the principles established by its founders, namely manual control of the light stream, principles of the light movement creation, and the projection of manually created images.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”20″][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ animate=”yes” custom_height=”50″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#03103b” scene_position=”center” text_color=”dark” text_align=”left” class=”lectures-block” row_name=”Home” overlay_strength=”0.8″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” offset=”vc_col-xs-12″][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”2\/3″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Educational program will take place at Art Prichal on May 12, 13, and 14. The entry is free of charge. Address: Naberezhno-Khreshchatytska Pier \u21162 , Kontraktova Ploscha metro station Open on Google Map [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/3″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”extra-color-2″ custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Art Prichal may 12 16:00 – 18:00 [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text] Mapping and Live AV with VJ Eletroiman (Telenoika) [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-5-percent” column_padding_position=”right” background_color_opacity=”1″ width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]This lecture from VJ Eletroiman is about his experience in mapping and VJing. Since 2000, the artist has been working with stage design and live audiovisual performances. He has…<\/p>\n","protected":false},"author":1,"featured_media":3015,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n